Guitarists are bad about stepping away to play and stepping up to sing, and not exactly being up the mic before they start singing or backing away before their done. In fact some of them don't even have very good microphone discipline. If so then of course it makes sense to use it. Below I provide some settings you can start with, but … You can also get a lot of low energy from a keyboard, and compression can help to keep that under control. As for feedback, you still have to be careful. I think the biggest thing is finding the correct mic for the particular singer. Unfortunately playing in a band doesn't offer you the luxury of having the best seat in the house. Regarding monitors, I've found that inexperienced vocalists often get confused and uncomfortable if their vocals are compressed; since they don't hear themselves getting louder, they will often just push harder. So I typically use heavy compression on the front vocalists to tame their bad practices and make them fit with everyone else. Remote Possibilities in Location Recording & Production, Already have an account? These are great for sung vocals, but sound unnatural on spoken word recordings @Vortico, I know, I just stated the comment to get rid of the ambiguity. Contact your Sales Engineer. The threshold sets the height of the loudness ceiling. You can over-compress a more classical group that actually plays with dynamics. Also, if you have issues keeping the vocal above everything else, compression can help keep you at the (high) levels you need without getting too loud. Even in the studio there's a lot to be said for knowing how to work the mic. Now without soloing the vocal slowly turn down the Threshold knob to adjust the amount of compression on the vocal. This is a form of compression that reduces that harshness of sibilant S sounds in the voice. Frankly, I have found that compression in a live setting is only good for limiting purposes. Hey there! Is compression on live vocals common? Using a lot of compression can lead to feedback, so be careful. The front vocalists are used to singing into microphones and don't entirely practice good dynamics. Set the starter vocal compression settings. How to find individual probabilities of all numbers from a list? On the other hand, you are dealing amplification. effects: You can do some interesting things by running effects into a compressed mix, but you can also destroy some subtle effects by forcing them up too much. Is it important for a ethical hacker to know the C language in depth nowadays? We are talking about the idea of crompressing vox in the wedge for the practice space right? The move their mics back and forth from their faces. Compression is also often difficult to set properly as it should be relatively transparent for live work and difficult for a beginning user to tell the results are optimized. By clicking “Post Your Answer”, you agree to our terms of service, privacy policy and cookie policy. I've been wondering how often live engineers use compression on lead vocals for your standard standard guitar/bass/drums band setup. In Star Trek TNG Episode 11 "The Big Goodbye", why would the people inside of the holodeck "vanish" if the program aborts? A lot of tweaking will be needed, and sometimes you may have to use completely different settings. Meaning of the Term "Heavy Metals" in CofA? Depending on the playing style, you may get away with mild compression, but someone who goes from finger picking to slapping is going to need to have the compression turned way up. Fast attack and fast release. Some pretty loose others really tight. Especially if your vocalists are not trained in microphone technique. If your a quiet band and the singing might be off mic a little then I would say -4 -6 thresh, 2:1 to 4:1 comp, and + 4 on the output. From a monitor engineer's standpoint compression on vocals can be a pandoras box of problems. How to input sounds live during a podcast, Sending drums and vocals to the in-ear monitoring mixer on stage, citation question (different authors, same year, same surname) [natbib]. Good luck. If the signal is quieter than -10dB (i.e. Some compressors do this automatically, which may be what you're thinking of. Anything else is going to really mess with your feedback to gain margins. So, if the threshold is set to -10dB, it will compress anything louder than -10dB. lead vocal(s) - there are a lot of variables that go into deciding what & how much. The only exceptions I can think of will be around the words MP3, data, and mixdown. First set up the ratio 3:1 or 2:1. If you compress the transients without raising the entire signal level afterwards then you may effectively guarantee no transients will trigger a feed back. How To Adjust Threshold and Ratio of Compressor for Vocals? How to write an effective developer resume: Advice from a hiring manager, Podcast 290: This computer science degree is brought to you by Big Tech, “Question closed” notifications experiment results and graduation, MAINTENANCE WARNING: Possible downtime early morning Dec 2/4/9 UTC (8:30PM…. Should I use compression in live settings? -4 and -8 threshold, 4:1 compression and +6 on the output. Ratio: 4:1–6:1. via a VST plugin or a Compressor module) or about an audio compression algorithm (e.g. Thanks for contributing an answer to Sound Design Stack Exchange! It seems that the best use of a compressor is just to just protect speakers and audience from quick harsh sounds (like yelling or screaming in theater). Yes, definitely. Oh, and tINY, if 31 years old is a KID to you, then you must be really old. Dynamics are wonderful ..forget the compressor. They are up front because they sing really well and have good stage presence, not because they are better than anyone else at being disciplined. Vocal compression will allow your dynamic range to sit nicely in the mix if set properly. over my head: looking for an inexpensive way to mic both my flute and violin for live performance with mic'd acoustic group? bjohnston, nice informative reply...just wondering if you'd care to share any tips with regards to vocal mic technique in a live setting. It's a reason why engineers at live shows split the voc mikes into two channels so that the one feeding the monitors can be unprocessed: you are loosing gain to feedback. If the compressor has a knee setting, turn this up to make the compression more subtle; Avoid de-esser's. Part of being a great singer is using mic technique. Shop Sweetwater inSync SweetCare Events Careers Used Gear Marketplace (800) 222-4700 Talk to an expert! For a rehearsel space I would recommend to leave the comp off, especially if your into rock or anything not acoustic. rev 2020.11.24.38066, The best answers are voted up and rise to the top, Sound Design Stack Exchange works best with JavaScript enabled, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site, Learn more about Stack Overflow the company, Learn more about hiring developers or posting ads with us, Just to be sure: are we talking about dynamic compression (e.g. backing vocals will usually get grouped & compressed, if possible, but you can get away without it. Although if that's the case, you might want to explore ways to get the instruments down, rather than pushing the vocal up.
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