A compressor over the mix bus will respond to any content that exceeds the threshold level, and if your mix contains a number of different elements that combine to do so in different ways, a single, fixed release setting may well not be sympathetic to all of the differently 'shaped' peaks that result. How to Set a Mix Bus Compressor: In Detail. You have bigger fish to fry. You have more crucial things to do. But it is a great way to learn. Can loose too much life and impact if taken too far. So many of the best mixers I know will do something like this: They’ll patch in their bus compressor fairly early on and mix into it. Think of compression as a really good paint job on a car. I’d only recommend that you don’t turn on a mix bus compressor just because you’re “supposed” to. Peter: "No, multi–band compressors are not recommended. And finally, you may want to add a subtle layer of compression on your mix bus (this will, of course, affect all the tracks in your mix — not just the drums). If you want things to sound smoother and more controlled, set it a bit slower instead. How does mix-bus compression affect the overall balance, compared with not compressing the mix bus? Tip #4: Use Parallel Compression . Coat two is mix-bus compression. Mix bus compression can make a mix feel more unified and cohesive. 3) Ultimately, you’ll want to bring down the threshold so you’re that you’re compressing by anywhere from 1-4 dB during the loudest sections. Obviously, I want the original mix files, the ones that the mixer heard while mixing.". Can be too aggressive and “pumping” if taken too far. In my mind, there are five things you can use a mix bus compressor to obtain more of: “Excitement”, “Glue”, “Control, “Shape”, and “Loudness.”. Mix-bus compression can be a confusing topic for inexperienced mixers and engineers. Then I will eliminate the transient peaks that are not affecting the overall mix balances by limiting them with a peak limiter. Returning to the example of a song driven by strummed acoustic guitar, using an ultra–fast attack time will tend to diminish the rhythmic impact of the instrument, so a slower attack time may be more suited. 2) Set your ratio to anywhere between 1.5:1 and 4:1. Know that faster attack times will smooth out your mix, while faster release times will give you more “grit”, “pump” and aggression. Your mastering engineer is always happy to help if your mix needs a little bit of extra “glue.” And remember that some styles of music may even sound better with minimal, or no bus compression at all. It is worth noting that even with the fastest attack settings, a conventional compressor will not be fast enough to respond to transients in time to prevent brief overloads in digital recordings. These are related qualities, and there will be tradeoffs between them. Listen for “pumping”, “breathing”, “graininess” or a mix that just sounds kinda small and flat and irritating, not matter what you do. How should I split my guitar signal for recording? Mind you, this is not proper mix-bus compression that is applied; what happens is that the mixer will apply an L2 or other brick–wall limiter to the mix bus for the sole purpose of making the mix louder. Any changes that you make to the compressor settings later will change the internal mix balances. There is a lot that can be done to salvage bad mixes, but keep in mind I'm good but I'm not God! Think of the VU meter as a visual representation of the groove of the song: once you determine the fundamental aspects of the groove, you'll be able to adjust the release setting so that the VU meter pulses in a way that matches the timing of the song. If you listen to seasoned pros when they’re being honest, most will readily admit that they couldn’t really hear compression in reliable detail—much less use it with easy confidence—until they’d been in the audio game for years. Whilst some swear by using mix bus compression, others avoid it at all costs.. What is mix bus compression. Another important factor is the availability, or otherwise, of a side–chain filter. (Good for control of “macro dynamics”. Moore routinely masters Doyle's mixes. A well-tuned compressor on the mix bus can make a big difference in your mix! How to Set a Mix Bus Compressor: The Basics. Typically, conservative levels are the norm: even 1dB of gain reduction will make a difference.". These are just guidelines. And, of course, the gain reduction that is triggered by the lead vocal crossing the mix compressor's threshold is applied to all elements of the mix at once, so the lead vocal's apparent level relative to the other instruments may actually be increased by mix compression.
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