... so I’ve actually used reasonably tame settings for a parallel compression bus. The kick drum is something you want to stay pretty steady throughout the mix, so if you have a drummer that is inconsistent, use the following compression settings: Ratio: 3; … It provides typical compression ratios around 2:1 with fairly light CPU overhead. Mix the drum mix and parallel compression mix together to taste. Actually if you compress a short string, it will likely be larger than the original string due to the overhead of the compression container. Step 1. Evaluate need for using high compression formats and settings Highest compression ratio is usually attained with slower and more computing intensive algorithms, i.e. It is generally best to let the OpenVPN decide whether the lzo compression is worth enabling or not. Compression is work. They prefer longer content where they have more opportunities to identify patterns and take advantage of them for compression. I'm expecting my EL9s next month, so I'm probably going for Empirical Labs style compression for … With this in mind, the HPF on the overheads and hats can be set as high as 550Hz. The overhead mics are thus not used so much to provide an overall 'picture' of the kit, but more as spot mics for the cymbals. This light CPU overhead allows for excellent throughput with rates up to 150 MB/s per core and even faster decompression rates. Set a sidechain compressor on the overhead mics which will be triggered by the snare microphone and then every time there is a hit on the snare the overhead mics will be compressed at that point and you should just get less snare drum on the overhead mic track. Step 8. High – this option uses zlib compression tuned for low to moderate CPU overhead. Compression can be a tricky one to get your head around, and even if you've got your head around the threshold and ratio settings without the attack and release times being set correctly it will always be difficult to get the desired effect. It does the thing where when i turn the key it turns a little stops at compression turns a little more stops again at compression, etc. Parallel compression is a really easy way to give some impact to the most important elements of the kit. Mixing mostly with plugz here, so, Waves SSLComp, API-2500 are no1 choices when I'm in a HD system. In this free drum lesson, DrumLessons.com sound engineer Victor Guidera and Jared Falk, show you exactly how to EQ the sound captured by overhead, and dedicated hi-hat and ride microphones, so you can get the best sounding cymbals as possible for any live and studio application. ... while “Size on Disk” represents the amount of disk space allocated to those files figuring in all the filesystem overhead.) Worst-case scenario, using lzo might add an extra 1 byte of overhead for incompressible packets. H-Delay is great for accurate phase paralell compression if you're on an LE system. This setting provides for around 10% higher compression ratios compared to optimal, but uses over 50% more CPU horsepower with rates up to 100 MB/core. Optimal – this is the default compression used on Veeam jobs that leverages LZ4 compression. I have now changed the setting to NOT allow that, but it was a nightmare trying to fix everything by hand until I saw you post. I have a 2013 Troy Bilt Pony 42" lawn tractor with the Briggs and Stratton 17.5 engine. We do this by setting the compress (or comp-lzo in older versions) option without any arguments. Unfortunately, compression algorithms don’t like short content much. Even in this case, you will probably only need light compression on the kick drum and possibly the snare. 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