The depth of the tom thwacks was also very pleasant, and with the right drummer, the close tom mics were not needed. The VR2 was easy to position, and we found that when placed properly, we were getting better rejection of the voice than we had been experiencing before. They had the openness of the Royer, the richness of the Coles, the sheen of the condensers, and a killer stereo image.We set up the mics by putting each VR2 in its basic mic clip (a shockmount is also included) and bringing in two boom stands at the same height. Whatever it is, we were hooked. Both mics handled the high SPL well, exhibiting no audible distortion. Left: VR-1 Right: VR2 The sE Electronics Voodoo VR-1 and VR-2 are pressuregradient ribbon microphones with 2-micron … sE Electronics Voodoo VR-1, VR-2 Ribbon Mics. For more stories like this, and to keep up to date with all our market leading news, features and analysis, sign up to our newsletter here. Passive VR1 = $699.99. We have used many mics in that room — Neumann KM 184, Mojave MA-100 ( Tape Op #62), Coles 4038 (#15), Royer SF-12 (#25) — and all have worked well. The polar pattern tells you which directions the mic picks up sound from. To begin with, I was skeptical of the brand as I had limited experience with their products. The sE Electronics Voodoo VR-1 and VR-2 are pressuregradient ribbon microphones with 2-micron aluminum ribbons: one passive (VR-1, $799), the other with active electronics (VR-2, $1,199). In all cases, the VR2 was easy to get sounding great and really helped all the different drum tracks. I would define their performances as classic, with moderately extended highs. Since the VR2 is in a rectangular housing, the sides are open and covered with a mesh screen that lets you see the magnets of the ribbon assembly. Reasonably priced with a “zero downtime/ free replacement” warranty (within three years of purchase), the Voodoos are worthy competitors in today’s ribbon mic resurgence. On acoustic guitar with placement two feet from neck/body of instrument, my tests found similar frequency response between the two, with slightly more high-end response from the VR-2 and a slightly higher noise floor from VR-1 (due to the additional mic pre amp gain) . Or it could be that with the VR series, the CEO of the company, Siwei Zou, a classically-trained bassoonist and conductor of the Shanghai Orchestra, is the ears behind this new design. Burl Audio, under the direction of owner/designer Rich Williams, has developed some of the best new recording equipment over the last eight years. The VR2 is an ‘active’ version of the VR1, which is the more traditional ‘passive’ ribbon design. This was achieved using state of the art transformers and a Rupert … Even though I finished a review of more than 80 small-diaphragm mics last summer (Tape Op #72), I'm You could just put up the faders and be happy — the way it’s supposed to be, simple and easy.We loved the VR2, and for its quality, it’s priced fairly. sE Electronicsseelectronics.com Fingerprint Audio (U.S. distributor)fingerprintaudio.com. The one thing I’ve discovered is that the best performances come from letting the artist perform naturally with guitar in hand while the rhythm section tracks along to the emotion, mood, and tempo of the artist. At the January NAMM... Mike Castoro at Wunder Audio released his take on the Neumann U 67 early this year with the Wunder CM67, a multi- patterned tube condenser mic optimized for capturing vocals. Sometimes we wish we could get a little tighter sounding on that guitar with the ribbon mic, and now we have found a way to do it.During a recent session for an album we were producing with singer/songwriter Adrian Brannan, we got a chance to try out the SE Electronics Voodoo VR2 for the first time as the acoustic guitar mic, and it was quite the eye opener. It was also great-sounding on banjo and mandolin overdubs as well as on some electric autoharp I added to a track. Over the course of the next few weeks, we got to try them on a very busy too-many-cymbals metal track, a standard jazz setup, and a somewhere-in-between indie band setup. The first thing I noticed... We’ve published many reviews of Audio-Technica microphones in Tape Op — for good reason. This is of course a microphone placement challenge as phase incoherency rears its ugly head when mic’ing up the guitar and the voice. It’s a big room with a high, rolled ceiling; risers for the band; and the storage closets taking up the whole back act like huge bass traps. Update your browser to view this website correctly. The VR2, an active ribbon that can take violins and voices right to the foreground of your listener's stereo. We are happy to add a pair to our mic collection. I love it when I meet someone that loves recording as much as I do, and in this case, the expression... Jim Williams has spent much of his 56 years working with some of the biggest names in the music business, including Frank Zappa, John McLaughlin and Stevie Wonder. Their mic preamps, summing amps, and control room... LA120 Small-Diaphragm Condenser Mic & Capsules Pair, Jim Williams: Behind the Gear with Audio Upgrades, Restoring the "Holy Grail of Compressors": Behind the Scenes at the Vintage King Tech Shop, From WWII Planes to Stax Consoles: Behind the Gear with Bill Cheney & the History of Spectra Sonics, Rich Williams: Behind the Gear with Burl Audio. The sE Electronics Voodoo ribbon microphones are “small form factor” transducers, easy to place, due to their smaller-thanaverage size, as well as a very versatile shockmount. Great for a variety of sources, ribbon mics offer a smooth and different colour to your recordings. During a recent session for an album we were producing with singer/songwriter Adrian Brannan, we got a chance to try out the SE Electronics Voodoo VR2 for the first time as the acoustic guitar mic, and it was quite the eye opener. The sE Electronics Voodoo VR-1 and VR-2 are pressuregradient ribbon microphones with 2-micron aluminum ribbons: one passive (VR-1, $799), the other with active electronics (VR-2, $1,199). Left: VR-1 Right: VR2 The sE Electronics Voodoo VR-1 and VR-2 are pressuregradient ribbon microphones with 2-micron aluminum ribbons: one passive (VR-1, $799), the other with active electronics (VR-2, $1,199). One of our go-to solutions to reduce this effect is to place ribbon mics on the guitar and use the figure-8 null points to our advantage. Overall response could be defined as smooth, classic and in need of minor corrective EQ around 200 Hz (cut) and 10 kHz up (boost). The VR2s were definitely something new though. sE Electronics VR2 Voodoo Active Ribbon mic Video Reviews. The mic is compact but feels hefty, and the rectangular design gives your eyeball clear angle lines when setting up the microphone. Both Voodoos exhibit the useful combination of an extended “condenser – like” top end, but with the substantial bottom- end response and compres sed transients of traditional ribbons. Active design for plenty of output and quieter performance. On a drum kit in both hi-hat and ride-cymbal positions, each two feet from source, my tests found the VR-1 required approximately 20 dB more gain than the VR-2 in similar SPL positions. The front and back grills have holes drilled into the flat metal faces revealing the same mesh screens as on the sides. By Rob Tavaglione Jul 25, 2011. The small-diaphragm condenser category is, like all mic types, a crowded one; and these days, finding something special or unique is probably not going to happen. This could be due to the 20 Hz to 20 kHz response the ribbon produces, or it could be due to the re-engineering and design SE has incorporated since working with Rupert Neve on the RNR1. One of the highest performing ribbon mics for the price.
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