Too much compression may bring up the hats so care about this. As you start to compress a snare drum you’ll also subtly lose some of the low frequencies (so try that rather than cutting with an EQ to see if it helps). Ratio from 4:1 to 8:1. If the snare needs more attack and punch, go for a slower attack and faster release. Try a transient designer. When you visualize the real drums, it is a little off-center. By Emerson Maningo on August 9, 2010 . Make your settings too extreme so that you’re ears learn what bad compression sounds like, try to get breathing in your compression, but do it so that you get how attack and release times can impact your sound. The fast attack will turn down the loud initial transient of the stick hitting the snare drum, then let go quickly so that the tail end or sustain of the snare sound can ring through without being turned down. Tags: Snare drum production techniques, Using panning effect in mix.-30.4dB threshold 4:1 Compression ratio Scan mode: RMS Smooth saturation: Yes Attack time: 5ms Release time: 100ms Output gain: 7.6dB. What’s a slow attack time? Slow attack, 10ms to 30ms. Play around with different release settings to see what suits. Naturally you should experiment with all of these settings. Lastly the panning settings; most engineers can pan the snare drums at the center. When compressing individual drums, the attack time is the most important control. I wish I could give you exact numbers, but it varies depending on which compressor you’re using. Categories: Recording and Mixing Drums. Snare Drum EQ, Compression and Panning Mixing Tips. The compression ratio can be set to around 4:1 and the release time to 100 milliseconds. A good way to find optimal settings for your snare compression is to exaggerate the compression so that you can hear it very well. You’re trying to add punch to your snare that’s why you need to use slow attack so you can let the attack of the snare drum through. Top Snare – Compression. ive nver heard a difference in an 1176 by moving the attack and release knobs but the sound of the unit and the way it treats the envelop of a signal is very distitncet. The compression ratio can also be set to 4:1 depending on your flavor. Release from 50ms to 120ms. Feel free to experiment the attack and release settings. Bleed Problem? You can aim for around 10 dB of gain reduction using a ratio of 4:1 or higher; the idea is to really crush the signal. Use a compressor with a super-fast attack like the CLA-76 Compressor / Limiter and apply peak compression using a fast attack. But in reality the snare drums are not perfectly located in the center of the mix. Take a listen to the impact a slow vs. fast attack time can have on a snare: In short, unless you’re deliberately trying to remove punch from your drums, you should use slow attack times when compressing them. Gently turn up the output level on the CLA-76 until your snare feels sufficiently full. So if you wanted to tame the initial attack of a snare drum hit, but have the sustain ring out you could have a fast attack and fairly fast release.
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