The maximum SPL is 125dB, and because there's no pad to extend this further, use inside kick drums or in other very loud locations is probably not recommended. The MSRP appears to have changed every few months, typically ranging from $699 to $839. Having said that, because the tube sound of the T3 isn't over-hyped, it's more likely to turn in consistently good results in different applications than a mic that's designed to deliver a specific tonal flavour. For most practical purposes, though, 125dB should allow plenty of headroom. We check out this affordable multi-pattern mic with a subtle tube sound. Though tube mics are often expected to be noisier than their solid-state counterparts, this is not true of the T3, which performs almost identically to the company's solid-state C1 and C3 models in this respect. Folks - I've had a Studio Projects T3 tube mic (1st generation) for many years now. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Additionally, six intermediate patterns may also be selected, the most useful aspect of which is that the user can choose from wide or narrow cardioid options. In this respect, the performance is more like that of a classic mic, where the tonal contribution of the tube is subtle but still very important, and high frequencies are reproduced smoothly rather than splashily. The lower capsule is fixed in place; the top capsule can be rotated 270° relative to the lower, allowing an infinite variety of stereo options. The views expressed are those of the contributors and not necessarily those of the publishers. Wind shields should always be used when recording outdoors, as very strong gusts of wind have been known to damage diaphragms, and a cheap tip for any capacitor mic user is to pop a plastic bag over it when not in use to keep the dust out. You may login with either your assigned username or your e-mail address. Studio Projects’ LSD2 is a stereo multipattern FET condenser microphone with transformerless output. Also a serious vocal mic, the T3 will please even the most discerning ears. Please let us know! It is a versatile microphone with abundant applications in the studio from pianos and strings to guitar cabinets and saxophones. The capsule in the T3 can also be found in the other C-series mics; it is a dual-diaphragm (6-micron), 27mm, center-terminated K67 copy, with an outside diameter of 34.5mm. Sensitivity is quoted as 14mV/Pa, which is similar to that of the solid-state models in the range and comparable with other microphones of this type. It does work very well and it has the advantage of fully switchable patterns, but there will be some sound sources that it suits better than others. My first test with the T3 was to record the main vocals for a band project I'm currently involved in, and the results were encouraging. Win! The T3 is a variable pattern vacuum tube (valve) condenser microphone. The latest addition to the Studio Projects range is the T3, a multi-pattern tube microphone that comes with cable, power supply, foam wind shield and shockmount, all packed in a tidy aluminium flightcase. All rights reserved. First Look: Pro Tools | Carbon. The company obviously look up to the big-name German mics as their benchmarks and also specify a number of German components in their designs, their stated aim being to deliver big-name quality at a much lower price point. If you don't need the multiple patterns, there are more economical choices that I think sound every bit as good, not least Rode's mellifluously smooth NTK, but if you need the flexibility of pattern control and demand quality without paying through the nose for it, the T3 could be just what you're looking for.
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