The guitar was on sale at the local music shop as sort of a starter-pack (guitar and amp as a combo), and Tom paid one half of the price – which was $50, while his mother paid for the rest. As Tom became more serious about playing he decided it’s time to invest some money in a better guitar. Tom used this pedal (exclusively only the original vintage model) for the most part of his career, and it can be heard among other during the solo on “Killing in the Name”. An addition to the old setup – used for muting purposes. As the guitar was laying around it accidentally picked up signal from a Korean radio station which ended up as a part of “Sleep Now in the Fire” song. Tom used this Marshall as his main amp ever since 1988 when his old Marshall was stolen from his van. The guitar is decorated with couple of drawings of a hypo done by Tom himself (it is supposedly the only he could draw, and he only knew how to draw them facing the left side). This photo dates back to 1950s and the Mau Mau Uprising that happened during the time Tom’s father was living in Kenya. The whammy pedal for me was a great invention because I never had the patience to read all the manuals (tha came with various pedals), and when you plugged them in they drained all the sound and it sounded kinda crappy. Tom got this guitar in 2002, around the time he was starting the whole Nightwatchman thing. GroundGuitar counts on your criticism and feedback. Tom gave him a Marshall head, and got this Telecaster in return. They are the same markings/settings I used at every show and every record I’ve ever made. This is the first guitar Tom ever bought. Discover (and save!) – Line 6 Flextone 2×12 Tom changed the neck couple of times, and eventually settled for a graphite Kramer-style neck which he found in a bin at a place called “Nadine’s Music”. This was originally made as a Factory Special Run for Guitar Center. The Tom Morello “Soul Power” Stratocaster – based on the modified Designer Series Strat used during his time in Audioslave – features an alder slab body with binding and a "Modern C"-shape maple neck with 9.5"-14" compound radius rosewood fingerboard and 22 medium-jumbo frets. The guitar is dubbed “Black Spartacus”, and Tom even wrote a song about it called “Black Spartacus Heart Attack Machine” – name inspired by Clash’s Mick Jones Clash who referred to his guitar as “heart attack machine”. The guitar is basically a cheap Ovation knock-off with steel strings. This happened sometime prior to 1990, although we have no exact date. Dec 10, 2015 - This Pin was discovered by Y. It was right around the time of beginning with Rage Agains The Machine, and I was basically designated to be the band’s DJ. Tom got this guitar at the time of recording of Audioslave “. Tom Morello Interview by Chris Kies, Premier Guitar December 16, 2008, Tom Morello – Science Friction; GuitarWorld. He needed a Marshall head and I needed a guitar that I could tune down, play grunge-worthy heavy riffs with. It features two-tone red and black finish and it has couple of built-in effects including echo, distortion and wah. He went outside of his studio and used a lighter to literally burn the design of the body, exposing the white primer paint. Tom bought this guitar after moving to LA in 1986 at a store in Hollywood called “Performance Guitar”. Tom’s custom-made Ibanez Talman features Kenyan flag finish, maple neck/rosewood fretboard, Ibanez Lo-Pro Edge tremolo, and three single coil “lipstick” pickups. He also swapped the tremolo bridge more than a few times, going over all of the versions of Kahler and Floyd Rose models, but eventually fitting the guitar with the Ibanez Edge double locking tremolo. Kay guitars were manufactured in Japan, and sold in the US for a very affordable price. Most of his main guitars are low-end models, often scrapped together and assembled by Tom himself – like the Arm the Harmless guitar which he used in the Rage Against the Machine. He played with the knobs on the amp to get the sound exactly where he wanted it, and he stuck with those exact same settings ever since. Tom got this guitar around the time he was heading of the college, and used it with Lock Up and in the early days of the RATM. It originally had three Fender Noiseless pickups, but Tom replaced the bridge pickup with a Seymour Duncan Hot Rails. I went in there and they only had one Peavey cabinet, so I bought that. – Boss DD-3 Digital Delay They had two heads, a Marshall and something else. Although Tom mostly uses the same exact Marshall that he bought in 1988, he has a couple of them in case something goes wrong with his main one. Just ecently, Morello purchased a backup cabinet identical to this one since his old cab started to get a little tired after being used since 1988 or so. First one was used in the earlier years and had bare metal finish and two Hot Rails pickups, while his second Steelcaster has Hot Rails in the bridge and Alnico pro II in the neck position and features red star graphic finish. Tom used this guitar as his main during the RATM era for the standard tuned songs, and retired it around 2002 as he started playing with Audioslave. Tom’s model is finished in blonde/yellow color, and features two pickups, one of which was replaced with a DiMarzio Super Distortion T. His guitar is also missing the badge on the headstock, so for long time Tom didn’t know the actual model of the guitar, and it was mostly called just “creamy”. Tom has two of these guitars. In it’s original state, the guitar featured a light-blue colored rear loaded Stratocaster-style body and a Performance Corsair neck, two Seymour Duncan JB humbuckers, and the original Floyd Rose chrome unit. Tom Morello (born May 30, 1964) is a Grammy Award-winning American guitarist best known for his tenure with the bands Rage Against the Machine, Audioslave, his acoustic solo act The Nightwatchman, and his newest group, Street Sweeper Social Club. Tom used this guitar live during the RATM era on the song “Guerrilla Radio”, and later on for Cypress Hill’s song “Rise Up”. For years I was seeking out this miraculous tone and I was banging my head against the wall trying to get all this horrible rack gear—which I thought made my sound worse—and cab/head combinations, but nothing really worked. Tom’s Kay SG replica featured cherry red finish, plywood body, Bigsby-style tremolo, and two blade pickups. Tom used this guitar to record the song “Tire Me” from the RATM’s second album, paired with a 20w solid-state amp. The reason behind that was I had to record a demo for my band on the weekend and all my gear got stolen out of my van. – Boss TU-3 Tuner Used for double guitars and for the clean sound on mic check. [Tom Morello – Science Friction; GuitarWorld]. The guitar Tom picked up made a weird high-pitched sound when the toggle was set between two pickups, reason for which was an internal pickup which was picking up this weird noise when it wasn’t supposed to. It worked on that demo and I’ve loved the sound from that combo to this day—no magical rhyme or reason, but it has worked out for me quite well. The guitar originates from Tom’s roommate, who at the time played in a band called “Liquid Jesus” and was in need of an amp. They were produced for a short period of time in the 60s in Japan, and sold in the US mostly alongside Teisco guitars. – Ibanez DFL Flanger When RATM reunited in 2007 it was back as his main guitar, and remained as such to this day. I tried one of his Vox AC30 reissues and it sounded amazing. One feature that is distinctive on this guitar is a kill-switch installed by Tom at the lower horn of the guitar, which can turn the signal of the guitar on and off to create a stuttering sound. St. George guitars are a sort of a mystery. In case you want to talk to me privatly, please use the contact form and I will get back to you as soon as possible. I found that with very simple manipulations, with a very simple pedal, all of the sudden the guitar for me was finding a lot of very new sonic possibilities. Tom is also the co-founder (along with Serj Tankian) of the non-profit political activist organization, Axis of Justice. At 2:06 into this video named "Tom Morello Guitars & Home Studio," Morello talks about his 1982 Fender Telecaster "Sendero Luminoso." Tom used it to record “Tire Me”, paired with a 1960s St. George MP-2. At 2:06 into this video named "Tom Morello Guitars & Home Studio," Morello talks about his 1982 Fender Telecaster "Sendero Luminoso." He is best known for his unique and creative guitar playing style, which incorporates feedback noises, unconventional picking and tapping as well as heavy use of guitar effects. ", Here's also what the guitar looks like stock, same configuration and colors as Tom Morello's (only thing missing are his stickers :-) ) http://i.imgur.com/9LYeYjHl.jpg, Here's Tom Morello using the Tele on "Killing in the Name" – Marshall JCM800 4×12 Cabinet It appears to be a standard American Telecaster (he reveals in other interviews it is a 1982 model), with a black finish, white pickguard, and a maple neck. [Tom Morello Interview by Chris Kies, Premier Guitar December 16, 2008].
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