In blues, the 1 chord is always the same as the key name. You could also try to play E7 instead of Em in the last bar. Plus, it often adds diminished chords, for example a half step up from the 4 chord position (e.g. You could use this turnaround concept on most examples presented on this page. Here, 9th and 13th chords are used, mostly, which create a jazz feeling as well. This is one of the most standard progressions of 24 bar blues. Here’s another one that’s sure to give you the blues: Don’t let the inverted chords in this progression fool you—it’s based on a simple descending bass line. Start by finding your tonic/1 chord root (A in this case) and build an appropriate chord shape on that position (e.g. Many guitarists just use open chords or barre chords in their blues progressions. If you listen to blues, you'll already be familiar with some turnaround variations. As it's name would suggest, it is made up of 12 bars (or measures), which are laid out in a very specific order: The progression uses the I, IV and V chords of the major scale. Here is a list of 10 classic songs that use the Minor Blues form. The 12 bar blues is the most basic blues chord progression. Using an altered chord gives a different color. Remember also, for heavier blues styles, power chords are often used in place of full blown 7th chords. In G minor, the 4 chord would be C minor. When you hear musicians say "take it home! Here's how the first four bars would be counted out... Below is an audio example of how those first four bars might sound. In our key of G major, that would be C major. Blues is a flexible style, beyond its simple roots, so it's up to you how you use and modify what we're about to learn! You could also try to play E before switching to E7 and the same concerning A and A7. The C minor pentatonic scale can be used to improvise over this 12 bar progression. Minor key blues uses exactly the same 1 4 5 root relationship from earlier, but with minor chords instead of major/dominant 7th. Simply change the chord type of each chord to minor! ", they're talking about resolving to the 1 chord. Keep these variations in mind as you go through the examples below... 12 bar blues is the most commonly used blues form. Plus, it'll get you thinking about timing - something that throws a lot of musicians. Try playing through this minor blues progression on the guitar to get the sound of the form, and the four chords, into your ears and under your fingers before checking out some of the famous Minor Blues tunes below. 1 4 5 is essentially the backbone of blues. But its broad influence on jazz and modern rock music cannot be overstated. The jump to A7 in the 8th bar starts a 5th intervals trip back to the tonic, which in general works well with dominant chords. The two last bars are concerned by a so-called turnaround. When this is the case, the chord change will occur on the third count, in the middle of the four count bar. Have any questions, thoughts or ideas about this lesson? Bars (also called measures) in blues can best be described as consisting of a count of four. This form of the minor blues progression uses 4 chords: the i chord, the iv chord, the v chord, and the V chord. A major)... Then, up to the 4 chord, building another typical chord shape on that root position (D7)... And finally, the 5 chord, again using our relationships from earlier. That means the first chord (the tonic or 1) in the progression is either a major chord or a dominant 7th chord (which is a major chord with an additional tone). You could change to any key with roman numerals as reference: The roman numerals are I(7), IV(7) and V(7) and here is how you can transpose these in different keys: This structure, that probably is more or less as common as the standard, includes an early chord change to create more variation. For example, in the key of G major, G major would be our 1 chord. Look at all those middle strings, just waiting to be pressed, pulled off or hammered - the chord is a ragime blues guitar player's paradise. Notice also that the iv is played in the second bar, not mandatory though. For example, an A minor blues progression would typically be: Am7, Dm7, Em7 (1,4,5). In G minor, the 5 chord would be D minor OR major (more on this variation later). I'll cover jazz variation more in its own section, but the above examples should give you a solid grounding in jazz blues form, which you can build on in your own way. Below are some of the most common variations. The 5 chord stays the same as it would in its major key. The i, iv, and v chords will all be minor 7th chords, and are therefore indicated by lower case roman numerals. This is the climax of the 12 bar blues sequence that prepares the listener for the return to the tonic (the return home) and a new 12 bars. First, you should learn to visualise this 1 4 5 relationship in whatever key you might be playing. The 1 chord can be thought of as "home" in our progression journey. A, D and E would!). Each hit of the symbol represents a count. It isn't necessary to play E as a dominant chord, it is also possible to play regularly E majors. There are also variations such as minor key blues and the more elaborate jazz blues which we'll touch on later. Let us know using the comments form below. This is one way to play a 16 bar blues, by simply extend the first section. The audio examples are played at a relatively quick tempo. The same progression in A minor: The Bm7b5 chord with short notation: x2323X. Always start with the 1 chord and, no matter what that 1 chord is, the 4 and 5 roots will fall into place based on the above relationships. There are no rules as such, just ideas... Blues can have more of a mellow groove. Master this relationship, and you'll be able to back up virtually any blues jam in any key.
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