", "VariantsMinimalPrice" : 0.000000000, "IsVariantsPriceSame" : "False", "IsProductOptions" : "False" } , { "DocumentName" : "Eddie Kramer Drum Channel", "SKU_MSRP" : 99.000000000, "SKUPrice" : 74.990000000, "SKUDepartmentID" : 2, "CouponPrice" : 29.99, "Discount" : 70, "CouponCode" : "BF60", "Icon" : "/1lib/images/products/plugins/icons/eddie-kramer-drum-channel.png", "DocumentUrlPath" : "/plugins/eddie-kramer-drum-channel", "SKUNumber" : "EKDRSG", "SKUID" : 436, "ReviewsTotal" : 13, "Rating" : 4.38, "Category" : "", "BadgeText" : "Super Deal", "BadgeClass" : "badge badge-on-sale", "CouponCampaignID" : 418, "SaleEndDate" : "12/9/2019 5:00:00 AM", "GSFCategory" : "Signature Series", "Note" : "", "SKUEnabled" : "True", "IsInventory" : "", "IsPreorder" : "False", "MainOrder" : 999, "DocumentPageDescription" : "Created+in+collaboration+with+legendary+producer+Eddie+Kramer%2c+the+Kramer+Drum+Channel+Plugin+recreates+the+processing+chain+Eddie+used+to+record+classics+by+Jimi+Hendrix+and+Led+Zeppelin. To help add a sense of depth, engineers send the individual drum tracks on an aux send to a reverb. This means that in one instance of the plugin, you can seamlessly trigger 8 stereo samples simultaneously such as a close mic sample, stereo overhead sample, and a stereo room mic samples. This is helpful, since the added sound energy in the low end will more readily trigger the compressor, dragging the cymbals and top end down along with it.Multiband compressors like the C4 offer even more control on the drum buss, as they allow sections within the frequency spectrum to be processed completely independently of one another. 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Check out Waves Specials, with discounts on popular plugins, bundles and new products in both Native & SoundGrid formats. And some like the old-school sound of the RS56 or PuigTec EQs.Here are some of the most common frequency areas to focus on when EQing each drum in the kit: Kick Lows: 50Hz - 100Hz — Great for adding power, but too much can cause boominess Low mids: 100Hz - 250Hz — Great for adding fatness, but too much can cause muddiness Midrange: 400Hz - 800Hz — Too much can cause boxiness High mids: 3kHz - 5kHz — Great for adding snap, attack, and beater noise; too much can be harsh Snare Low mids: 100Hz - 250Hz — Great for adding fatness, but too much can cause muddiness Midrange: 400Hz - 1kHz — Usually where the fundamental ring can be found; too much can cause boxiness High mids: 3kHz - 5kHz — Great for adding snap and attack, too much can be harsh Highs: 10kHz — Great for adding 'air' and 'buzz,' too much can be shrill Toms Lows: 65Hz - 100Hz — Great for adding power to floor toms, but too much can cause boominess Low mids: 100Hz - 200Hz — Great for adding power to rack toms, but too much can cause muddiness Mids: 400Hz - 800Hz — Too much can cause boxiness High mids: 5kHz - 7kHz — Great for adding snap and attack; too much can be harsh Cymbals/Overheads Low mids: 200Hz - 500Hz — Great for adding “meat” to cymbals, but too much can be muddy or boxy High mids: 3kHz - 5kHz — Great for adding presence, but too much can be harsh and fight with the vocal Highs: 7kHz - 12kHz — Great for adding ‘air;’ too much can be shrill. For instance, with 3 toms it’s common to tune them to perfect fourth intervals, or sometimes major third intervals. Top Sellers. You may find this content helpful: To be able to view it. In this video, see how it's used on drum samples for anything from adding a touch of extra bite to going extreme with creative effects: Typically, subtractive EQ is done with parametric EQs like the SSL E-Channel and G-Channel equalizers. 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